Darren Aronofsky’s latest motion picture is sure to launch a thousand film school theses, so allow this to become one of your citations! Mother! is a tricky film to talk about because, much like FILLER!, every sentence will look wrong unless you manage to place the title at the end. Then it just looks like you’re shouting, which is preferable to not knowing where punctuation goes. After the The Wages Of Cinema podcast collaboreview (They let me discuss a movie that’s not based on a comic book or sci-fi!), it’ll be all SPOILERS. The story is fairly simple, but it’s stuffed to the gills with so many metaphors & ambiguous themes. The most nonspoilery synopsis I can give is “Renowned poet Javier Bardem invites creepy strangers into his giant house much to the chagrin of his devoted yet neglected wife, Jennifer Lawrence.” The characters are credited with descriptions, so I can just refer to the cast by their real names with impunity. It’s a movie that transcends its pretension by going all out.
I’m happy to say that Preacher season two is an improvement over the first. The great stuff carries over, the dead weight is mostly gone, the pacing is less languorous, & there’s plenty of added intrigue. AMC even adapted a few of the more outrageous scenes by Ennis & Dillon. If you’d like to remain unspoiled, skip to the end where I bid adieu to one of my favorite YouTube channels.
Colin Trevorrow has been booted from Untitled Star Wars Sequel: Episode IX. People who’ve had the misfortune of seeing The Book of Henry tell me this is fantastic news. (That’s not to say there isn’t a deep pool of worse directors they can plug into this too big to fail conclusion.) He’s the fourth director (Remember Josh Trank’s aborted Boba Fett film?) to be let go by Disney’s Lucasfilm. WB gets dissed for its DC plans being in a state of apparent entropy, but obviously this phenomenon is not exclusive. If fans are going to come to Lucasfilm’s defense for trying to right the mega-franchise ship to avoid cinematic icebergs, maybe grant WB/DC some of that courtesy too? Or rag on them both?
Michael K. Williams’s performance has been cut from A Star Wars Story: Untitled Han Solo Film (Why isn’t it just Han Solo?) because he couldn’t fit extensive reshoots into his packed schedule. Rather than axe the character completely, replacement director Ron Howard has replaced him with Paul Bettany in the quickest instance of whitewashing. I’m hoping this half-animal character is a Selonian because Han Solo punching a giant otter in the tummy is actually something I’d like to see. At least he’s going full nepotism by giving Clint Howard a role so he can be in both of the big Star franchises. If Rogue One can be a non-swashbuckling war movie, why wouldn’t Lucasfilm let Lord & Miller make this a comedy? Millennial Falcon & Red Letter Media deserve some Imperial credits for cracking the screenplay. I’ve got a bad feeling about this.
If you’re reading this, congratulations on surviving the total Eclipso of the heart! The big news that dropped just as I was reviewing The Defenders is that WB will be making stand alone Elseworlds movies separate from the DCEU (this is still a yucky name). These could be really interesting palate cleansers for folks that are bored with the current film continuity & tradtional superhero movies in general. The first one up is … a gritty The Joker origin movie set in 1980’s Gotham City? So this will still have nothing to do with anything fans like about the Joker? So far it’s just produced by Martin Scorsese not directed by him, so don’t get your hopes up.
Netflix’s The Defenders is finally out! My pre-Defenders blog became obsolete so fast! (If you’re not interested in this series, I recommend streaming the following international films on Netflix, depending on your region: Tag, The Forbidden Room, Wetlands, Filth, Look Who’s Back, Bon Cop/Bad Cop, & The Treacherous.) I was impressed by Daredevil season one, loved Jessica Jones, disappointed by Daredevil season two, & pleasantly surprised by Luke Cage. Instead of bothering with Iron Fist, I watched Crazyhead, which has the best title sequence so I regret nothing! Last chance to defend yourself from The Defenders spoilers!
The Defenders comes out on Friday! Until I get a chance to watch it at a leisurely pace, here’s some random other musings! If you make it to the bottom, I’ll tell you about DuckTales!
My feline overlord had her ferocious fifth birthday! She actually liked her presents this year! I don’t know how to process this.
The Defenders is coming soon! (I’m hoping it abruptly switches from them teaming up to thwart The Hand to Patsy getting married to Daimon Hellstrom.) Thanks to a temporary Netflix (the company that wants both the TV & movie awards for technically being either) account, I finally got around to fulfilling my promise of watching Luke Cage. Anybody still need an overview of that? (Let’s see if this obsolete review is more popular than timely reviews of Atomic Blonde & Valerian. Surely it’s got to do better than my S-M: TOTD critique.) My review gets a bit spoilery, but maybe that’s not such a big deal since it’s been out so long.
I wasn’t too excited about watching this since Luke Cage was pretty dull in the mostly great Jessica Jones. Daredevil season 2 left a bad taste in my mouth too. I liked Luke Cage, however, more than I expected. It helped that I didn’t have to marathon the whole thing in a single day, though the Netflix bastards kept shrinking the credits on me. Fortunately Mike Colter can make Luke a likeable character when he’s the lead. Showing how afraid he is of being sent back to prison for a nebulous crime he didn’t commit (or breaking out, which is a crime he did do) explains why he was so low key in Jessica Jones. Despite all his rage, he is still just a Luke in a cage … of his own trauma. Cage does grow into an inspirational hero though. He even does a riff on a timely Captain America speech where he explains that Harlem is only great if it has great denizens. He also frequently exclaims “Sweet Christmas!”