I haven’t discussed The Gifted since the premiere, so this is going to SPOIL the rest of the second season. This is one of those times where I was writing the blog along with the series, so let me know if my amendments are coherent.
As you’d expect, The LEGO Movie 2: The Second Part is awesome. There, that’s the zero spoilers review. Go see it. (Then keep reading this. It also contains non-LEGO musings.)
So there was no blog last week. I failed you, & the world didn’t stop spinning as it was supposed to! My work on an extensive custom project was derailed by bombogenesis. (R.I.P. Dick Miller & the Marcal factory.) Extreme cold makes me go into hibernation mode because I’m half-Scarren. I could’ve run something else, but my anti-creativity levels also rose. I’ll probably end up writing over fifty-two posts this year anyway, so this wasn’t a big loss. We’re back now False Spring has sprung with the Year of the Pig, cake sniffers!
Super Bowl commercials were equally uninspired this year aside from Houses Lannister & Targaryen uniting to make those obnoxious Bud Light bastards dilly dilly dead. (Skittles Commercial: The Broadway Musical doesn’t count but was probably superior.) Why don’t the football teams also put aside their differences to form one mega-team? As I understand sports only marginally better than Bitcoin, I shall devote the rest of this essay on the merits of Netflix originals & Gotham again. It was either that or random feline thoughts. (Those will return eventually!)
So Supergirl begin season four by being more upfront about its politics than ever before. It’s had a dodgy time of this previously, yet it’s strangely working for the most part now. While we’re having a slow news week, I figure I’d check back in on all the recent happenings so that my eventual review of the DC TV season finales isn’t even more protracted this year. (I also realized My Crystal Fishbowl would be a keen name for a Mysterio fansite.)
When it began on CBS, Supergirl was the DC TV show about feminism by default. On top of its star having to be a role model for an entire gender, it didn’t help that most of the issues it dealt with were superficial & the scifi was uninspired. At best it was a blander version of The Flash. (Although it did give Silver Banshee a better Venom arc than the Venom movie gave its lead.) In moving to The CW, the writers discovered something more substantial to hinge upon: Supergirl represents the immigrant experience better than her more famous cousin. After several showrunner shake-ups behind the scenes, now it feels like there’s a reason for this series to exist beyond the cast’s charm. It’s even turning past bugs into features!
The start of Chris Chibnall’s Doctor Who tenure wasn’t my cup of tea. Rather than being a fluke, it turns out “The Woman Who Fell To Earth” was in line with how the rest of his his first series/season would go. I felt both RTD & Moffat overstayed their welcomes as showrunners, but not in their debut seasons! After a string of blogs discussing things I’m excited to recommend like Gotham’s swansong, writing this one felt like a chore. I kept putting it off because writing it was a bummer. A comprehensive essay of how Doctor Who squandered fantastic opportunities is no fun. Lots of SPOILERS for the latest season follow.