I went to Wakanda with The Wages of Cinema to visit Black Panther! My kitty’s mad I saw it without her. This I know from speaking the universal language of Espurranto. (I should start calling her Snuggletooth.) Let’s dive right off Warrior Falls into SPOILERS. If you’ve not seen it yet, skip even further down to the tilde for Toy Fair 2018 SPOILERS!
After last week’s
Thor Ragnarok review, I was going to tell you how Inhumans ended. The problem is I’m so far behind on Inhumans it’s not even funny. (Let me know if anyone really wants me to go Statler & Waldorf on the rest of it.) So instead I’ll write about comic book TV shows I actually enjoy: TMNT & Gotham!
Almost every arc of the shortened Tales Of The Teenage Mutant Ninja Turtles season could serve as the series finale depending on which aspects of the show you prioritize. “When Worlds Collide” is the coda to the series’ alien intrigues. The Usagi Yojimbo arc is the most independent, but still awesome. Sadly none of the villains ever screamed “We can’t stop these radical dudes!”
You ever go to a barbecue joint you haven’t been to in a while & decide you might as well splurge on a full rack of baby back ribs? Then when they bring out your food, it looks like almost too much food? But then you start on the first rib & it’s even more delicious than you remembered. So you quickly strip the flesh from a second rib. Then a haze sweeps over you. Once it passes you see your glass of sangria is empty, your plate of ribs contains naught but a heap of bones, the other patrons have expired with large chunks missing, & your hands are covered in red goo of assorted viscosity. Then you declare that it was really yummy! Luckily the kitchen staff appears intact so you may return. That’s what Thor Ragnarok is like!
The Wages of Cinema invited me back to collaboreview it with them. I agreed since they had nice things to say about me in their retrospective podcast of favorite episodes. Verily doth SPOILERS roam free onward!
Last installment I pioneered the art of cold takes! Continuing this trend, I’ll be talking about two Netflix shows you probably already saw. Then for the sake of novelty, I’ve got exclusive cat photos! There’s a bit about some X-Men media, too. This is why the week’s headline is gibberish!
Black Mirror is the catharsis of failure. After an abundance of fiction where the protagonists win just by being the protagonists, it’s strangely refreshing to watch a series with so many downer endings. It’s very honest about the likelihood of the average bloke enacting positive change, but it still believes those attempts are worth chronicling. Rather than being depressingly nihilistic, it generally avoids focusing on schadenfreude in favor of the perseverance against insurmountable odds. It’s the long-form version of Garfunkel & Oates’s “Such a Loser.” Instead of being science-shaming speculative fiction, it gives a head’s up to prepare for the future that is bad for you. (Or pro-tips for weakpoints in your plan to ruin society with innocent technological innovations.) It’s a very Humanist show.
I couldn’t afford to watch Star Trek Discovery. (I’ve never seen so many people eager to catch STD!) So against my better judgment, I watched both of the new TV series about Marvel Comics’ genetic superhumans, Inhumans & The Gifted. So strap in for an extra long spoilerific double review!
The best part of discount Thor featuring lunar muties was that my cat tried to ensnuggle me for 3/4 of it. Brought to you by the man who gifted the world with lumberjack Dexter & dragon-free Iron Fist, Inhumans shows glimpses of cool stuff only to yank them away. I may have some controversial views on the state of Lucasfilm, but I think we can all agree that Marvel Studios letting Scott Buck helm two series was a mistake. Did it lose a contractual bet with Sony or Fox to make Inhumans’ cinematic demotion as underwhelming as possible? It’s a pity this is set when when the Agents of SHIELD are indisposed because it could desperately use some charismatic protagonists (not to mention their writers). None of the visuals justified IMAX cameras. ABC can’t make this miniseries look as good as even one of The CW’s four DC series. It takes itself way too seriously without the necessary prerequisite of actuality being quality.
Darren Aronofsky’s latest motion picture is sure to launch a thousand film school theses, so allow this to become one of your citations! Mother! is a tricky film to talk about because, much like FILLER!, every sentence will look wrong unless you manage to place the title at the end. Then it just looks like you’re shouting, which is preferable to not knowing where punctuation goes. After the The Wages Of Cinema podcast collaboreview (They let me discuss a movie that’s not based on a comic book or sci-fi!), it’ll be all SPOILERS. The story is fairly simple, but it’s stuffed to the gills with so many metaphors & ambiguous themes. The most nonspoilery synopsis I can give is “Renowned poet Javier Bardem invites creepy strangers into his giant house much to the chagrin of his devoted yet neglected wife, Jennifer Lawrence.” The characters are credited with descriptions, so I can just refer to the cast by their real names with impunity. It’s a movie that transcends its pretension by going all out.
If you’re reading this, congratulations on surviving the total Eclipso of the heart! The big news that dropped just as I was reviewing The Defenders is that WB will be making stand alone Elseworlds movies separate from the DCEU (this is still a yucky name). These could be really interesting palate cleansers for folks that are bored with the current film continuity & tradtional superhero movies in general. The first one up is … a gritty The Joker origin movie set in 1980’s Gotham City? So this will still have nothing to do with anything fans like about the Joker? So far it’s just produced by Martin Scorsese not directed by him, so don’t get your hopes up.