I saw Pacific Rim: Uprising with The Wages of Cinema’s Jack Gattanella. We managed to neural handshake into a shorter than usual podcast review. Then I made this drone-Jaeger review that’s secretly infested with spoilers! Or as many as you can have for a sequel to a homage of multiple anime &
tonkatsu tokusatsu. Giant robot suits punch giant monsters! Will you rise up to scroll down, or are you writing this off as PR Nightmare? At the very end there’s more lamentations about the demise of Toys R Us.
I went to Wakanda with The Wages of Cinema to visit Black Panther! My kitty’s mad I saw it without her. This I know from speaking the universal language of Espurranto. (I should start calling her Snuggletooth.) Let’s dive right off Warrior Falls into SPOILERS. If you’ve not seen it yet, skip even further down to the tilde for Toy Fair 2018 SPOILERS!
In Rian Johnson’s Star Wars: The Last Jedi, Luke & Rey go to extreme lengths to unsuccessfully kill a lone Mynock that got into their Midichlorian factory before Luke finally agrees that nobody cares if The Force is slightly less than 98% pure. The original title was Star Wars: The Ultimate Jedi Who Wastes All the Other Jedi & Eats Their Bones, but that was too long a spoiler to print on posters.
I was one of the few not wowed over by The Force Awakens. Rogue One was even more superfluous. Only Rian Johnson’s filmography had raised my hopes for Episode VIII. Seeing it with The Wages of Cinema was a pleasant surprise. Please peruse this Porg podcast! Then real SPOILERS happen! (Several of these SW:TLJ Bingo spaces are accurate.)
Ice! Mr. Freeze! Captain Cold! Killer Frost! Icicle! Ice Maiden! Blue Snowman! Minister Blizzard! Together they are The Just Ice League! And none of them appear in the Justice League movie!
I’m pleased to say that Justice League doesn’t suck! That doesn’t necessarily mean it’s spectacular. Do not go in expecting a Marvel Studios film. It’s a good movie but not a great movie. Much of what holds it back is having to clean up after Batman v. Superman: Dawn Of Justice. Fortunately the Justice League itself is a charismatic team instead of the maudlin worst case scenario we’d feared. The action is kinetic, the jokes are funny, & the story is coherent. So says The Wages of Cinema!
Fans of Eureka please send them feedback! Then read onward for THE SPOILERS OF JUSTICE! (They’re like the Hammers of Justice, except you can’t make bookshelves with ’em.)
You ever go to a barbecue joint you haven’t been to in a while & decide you might as well splurge on a full rack of baby back ribs? Then when they bring out your food, it looks like almost too much food? But then you start on the first rib & it’s even more delicious than you remembered. So you quickly strip the flesh from a second rib. Then a haze sweeps over you. Once it passes you see your glass of sangria is empty, your plate of ribs contains naught but a heap of bones, the other patrons have expired with large chunks missing, & your hands are covered in red goo of assorted viscosity. Then you declare that it was really yummy! Luckily the kitchen staff appears intact so you may return. That’s what Thor Ragnarok is like!
The Wages of Cinema invited me back to collaboreview it with them. I agreed since they had nice things to say about me in their retrospective podcast of favorite episodes. Verily doth SPOILERS roam free onward!
Can you believe we’re already up to the 2,048th Blade Runner sequel? The original is both a great movie & a bad adaptation of Philip K. Dick’s Do Androids Dream Of Electric Sheep? (It was refreshingly humanistic to see a dystopian future on a dying world where people get along through a Jain-like religion based on empathy & animal reverence. ) I got to chat about the latest one on The Wages of Cinema because its usual co-host was unavailable again. When you can’t get Andrew, settle for second best!
Ofjack Korey is there too!
Pretty much anything I type about this film is a spoiler, so let’s drive right into Blade Runner 2049! Uh, you should probably watch the one of the cuts of the first flick beforehand as well.
Darren Aronofsky’s latest motion picture is sure to launch a thousand film school theses, so allow this to become one of your citations! Mother! is a tricky film to talk about because, much like FILLER!, every sentence will look wrong unless you manage to place the title at the end. Then it just looks like you’re shouting, which is preferable to not knowing where punctuation goes. After the The Wages Of Cinema podcast collaboreview (They let me discuss a movie that’s not based on a comic book or sci-fi!), it’ll be all SPOILERS. The story is fairly simple, but it’s stuffed to the gills with so many metaphors & ambiguous themes. The most nonspoilery synopsis I can give is “Renowned poet Javier Bardem invites creepy strangers into his giant house much to the chagrin of his devoted yet neglected wife, Jennifer Lawrence.” The characters are credited with descriptions, so I can just refer to the cast by their real names with impunity. It’s a movie that transcends its pretension by going all out.