Netflix’s The Defenders is finally out! My pre-Defenders blog became obsolete so fast! (If you’re not interested in this series, I recommend streaming the following international films on Netflix, depending on your region: Tag, The Forbidden Room, Wetlands, Filth, Look Who’s Back, Bon Cop/Bad Cop, & The Treacherous.) I was impressed by Daredevil season one, loved Jessica Jones, disappointed by Daredevil season two, & pleasantly surprised by Luke Cage. Instead of bothering with Iron Fist, I watched Crazyhead, which has the best title sequence so I regret nothing! Last chance to defend yourself from The Defenders spoilers!
The Defenders is coming soon! (I’m hoping it abruptly switches from them teaming up to thwart The Hand to Patsy getting married to Daimon Hellstrom.) Thanks to a temporary Netflix (the company that wants both the TV & movie awards for technically being either) account, I finally got around to fulfilling my promise of watching Luke Cage. Anybody still need an overview of that? (Let’s see if this obsolete review is more popular than timely reviews of Atomic Blonde & Valerian. Surely it’s got to do better than my S-M: TOTD critique.) My review gets a bit spoilery, but maybe that’s not such a big deal since it’s been out so long.
I wasn’t too excited about watching this since Luke Cage was pretty dull in the mostly great Jessica Jones. Daredevil season 2 left a bad taste in my mouth too. I liked Luke Cage, however, more than I expected. It helped that I didn’t have to marathon the whole thing in a single day, though the Netflix bastards kept shrinking the credits on me. Fortunately Mike Colter can make Luke a likeable character when he’s the lead. Showing how afraid he is of being sent back to prison for a nebulous crime he didn’t commit (or breaking out, which is a crime he did do) explains why he was so low key in Jessica Jones. Despite all his rage, he is still just a Luke in a cage … of his own trauma. Cage does grow into an inspirational hero though. He even does a riff on a timely Captain America speech where he explains that Harlem is only great if it has great denizens. He also frequently exclaims “Sweet Christmas!”
With Marvel & DC’s cinematic rivalry on hold until November, we can turn our attention to film adaptions of indie comic books: Valerian & The City Of A Thousand Planets & Atomic Blonde. These two motion pictures share other commonalities too: I’ve not read either source material yet, John Goodman’s voice, & neither is doing as well at the box office as I believe they ought to be. If you want more variety in your comic book movies, support these! So (with very minimal spoilers) here’s why you should see both of them in cinemas. (But if you only want Marvel & DC movie tidbits, scroll down to where I discuss Deadpool 2 & Aquaman.)
And we’re back! I don’t always appear in photographs, but when I do I make the the front page of the July 3rd Chronicle Herald metro edition.
Oh, they made another Spider-Man reboot movie? Andrew from The Wages of Cinema told me I was required to see it with them for color commentary podcasting. He has a very menacing stare!
Websling on down for a SPOILER spectacular! THWIP!
Matt the Catania is going on hiatus while its author goes on a research sabbatical for his difficult second novel. We’re not sure when publication will resume, but if you’re following the blog by email or social media (click that heart icon up top), you’ll be the first to know. Also, Jenny “Millennial Falcon” Nicholson noticed me!
In honor of the forthcoming Spider-Man: Homecoming, I shall leave you with an incredibly timely review of the Broadway classic Spider-Man: Turn Off The Dark!
I SURVIVED SPIDER-MAN: TURN OFF THE DARK! Seriously, we had to drive home through a blizzard on Boxing Day 2010. I pushed a Ford Focus out of a snowy parking lot & navigated by sticking my head out the passenger window. So here’s the spoiler free review: On the WTF? scale of 1-10, the musical was a solid 14. SPOILERS for a musical that’s been closed for years!!!
This season of Gotham actually ended on a optimistic note? They made an exciting finale that didn’t rely upon toothlessly threatening to blow up the entire supporting cast? Many of its big threats were overshadowed by legitimutantly satisfying character developments? WHAT IS THIS DEVILTRY? I shall attempt to elucidate with SPOILERS.
It used to be a recurring joke that any comic book character would get a movie before Wonder Woman. At a 2013 NYCC afterparty hosted by The Mary Sue, one of the cocktail specials was called Wonder Woman Movie so guests could demand “Give me a Wonder Woman Movie!” This would’ve been effective more promptly if the bartenders were WB executives. (I slightly preferred the Strong Female Protagonist cocktail because it was green like She-Hulk.) A Wonder Woman movie has even been a recurring part of her comics mythos since the 1940’s, so it’s about time Hollywood caught up. Now it’s finally her turn! I was concerned by all the positive press the movie was receiving because I feared I’d be the lone weirdo that didn’t love it. Fortunately it lived up to the hype, even incorporating some of my ranty demands! That’ll teach Marvel Studios to cheap out on bribing me! I’m collaboreviewing Wonder Woman with The Wages of Cinema! (They’ve just done a podcast where they responded to my comments!) It’s a wonderful film!
Although she was still as wooden as the surrounding film, Gal Gadot was the best part of Batman v. Superman:
Yawn Dawn of Justice because she was a cedar in a forest of larches. Here Ms. Gadot shows she can actually act! Her expressive face conveys childlike wonder at the world outside of Themyscira. She’s a DC protagonist allowed to smile without being a baddie! She’s violent without being dour! They convey her strength through compassion perfectly!
Hereafter come the SPOILERS. If you’ve yet to purchase a ticket to see this film, please stop reading here & watch this Nerdist medley featuring Ciara “Hawkgirl” Renee!