There are only two kinds of people in the world: Are you Team Lizerd or Team Monke? A clash of Titans reunited The Wages Of Cinema for an unusually animated collaboreview! Godzilla was declared King Of The Monsters in the last movie. King Kong is just Kong in the Monsterverse so he’s gotta do a regicide to earn his title.
This movie is exactly what it says on the tin, so that should decide for you if it’s your bag. It’s the sort of movie where there both is & isn’t that much to write about. None of this rumble takes place in the jungle, but let’s burrow straight into the
Pellucidar Skartaris Hollow Earth of Godzilla Vs. Kong SPOILERS!
This movie is Wonder Woman 84, meaning I skipped the intervening eighty-two sequels since the original. In a controversial move, WB finally opted to simultaneously release it to cinemas & HBO Max (at no additional charge, unlike Mulan on Disney+) on Christmas day. At least its release wasn’t as postponed as The New Mutants. I watched it a movie theater because I believe the safety precautions taken by the cinema & myself are sufficient to outweigh the risk. If you think otherwise, Gal Gadon’t go because you can watch it from the safety of your home. So is Wonder Woman 1984 doubleplusgood or thoughtcrime? The Lasso of Truth compels me to unspool its SPOILERS in this collaboreview with The Wages of Cinema, reunited for the first time since Plan 9 From Star Wars!
Birds Of Prey: And The Fantabulous Emancipation Of One Harley Quinn is an even longer title than The Dolorous Adventure Of Brother Banenose. No one is going to refer to it by its full name. I finally went to the trouble of copying & pasting it for this critique though. I wanted to get this out the week after my CAOS Part 3 overview but the title was so sesquipedalian it threw off my schedule!
Thanks to the end of Crisis On Infinite Earths, this film can canonically exist. Though is it even worth it if they don’t sing of superhero dicks? Now here’s the latest The Wages of Cinema collaboreview with the answer! Before, after, or during your listen, scroll down for the non-transcript wherein I over analyze wardrobe & comic book deviations. There may be some SPOILERS, puddin’!
The Star Wars have finally ended thanks to a Star Treaty. The victor of is Solaris the Tyrant Sun. Behold our Star Wars Episode IX: The
Sky Of Risewalker Rise Of Skywalker collaboreview with The Wages of Cinema! It’s made of SPOILERS! ‘Tis a rare double critique weekend!
I was more excited to see Cats than Episode IX! I had the option to get my alcohol before witnessing Cats, but I decided I needed to experience it stone cold sober. I survived because I’m a Lynx. (Did I just get knighted?) Before my semi-SPOILERish critique, listen to this surpise collaboreview with The Wages of Cinema! I did not expect Jack & Korey to go for it when I pitched a screening. (I liked it more than them.) Andrew chickened out, but I did steal this headline from him. “Like Hamilton for Furries!” should be on the posters.
Last week I was ambivalent about running out of topical topics again. Now it’s a very SPOILERY collaboreview of
Spider-Man Mysterio: Far From Home with The Wages of Cinema! How crazy is it that Disney released three Marvel movies in a five month span? (Four, if you count Dark Phoenix.) Releasing this one on a Tuesday for Independence Day is such a power move.
Last week I was fortunate to attend an advance screening of Godzilla: King of the Monsters in IMAX! I haven’t seen the 2014 American Godzilla, but I have seen Kong: Skull Island. (Let’s consider Deep Rising as sequel to that!) I’ve also seen an assortment of Toho’s Godzilla oeuvre including Shin Gojira, but those are not required viewing to understand this installment. Here’s the collaboreview for Godzilla 2: Titan Boogaloo with with Jack Gattanella & guest star Alex Valderana for The Wages of Cinema! (Sorry, Andrew & Korey aficionados!)
Now that Gotham is gone (sniff), I guess we’re in the Avengers: Endgame now. (It’s pronounced End-gah-may much like SHAZAM! rhymes with chasm.) I was not impressed by Avengers: Infinity War, so I went into its continuation with disgruntled resignation. Even though I wasn’t excited for the movie, I didn’t want want little enjoyment I might have sapped by spoilers.
This is like a Dagwood sandwich of Marvel Studios movies. Having five mini-films compressed together justifies its three hour length. (Despite the mass hysteria, my bladder made it all way through even as I ate an Alamo Drafthouse dinner.) The pacing glides by. The Russo brothers hold everything together despite ever-shifting tones. Their ability to juggle dozens of characters remains impeccable.
Here comes another SPOILERY collaboreview with The Wages of Cinema! The marketing for this movie shrewd enough to reveal so little that talking about practically anything is a spoiler. So you have nobody to blame but yourself if you keep reading/listening without having seen it. (There’s plenty to critique, so who knows whether anything is presented in coherent order.) Since it made $1.2 billion worldwide in its opening weekend, however, I wager you’ve already been inoculated.
Holy moley! I saw a cuddle pile of ferrets! Then I saw Shazam! at my first Alamo Drafthouse with the friend of the blog, The Wages of Cinema’s Jack Gattanella. SPOILERY collaboreview strikes like lightning below!
For my fourth blogiversary, I’m doing a SPOILERY collaboreview with The Wages of Cinema for Captain Marvel! It only took twenty-one films, but Marvel Studios finally has a solo superheroine & a female (co-)director!
You can read the rest by
Skrullin’ scrolling higher lower, further, faster, baby!
Only Binary opinions on Captain Marvel are allowed.