This movie is Wonder Woman 84, meaning I skipped the intervening eighty-two sequels since the original. In a controversial move, WB finally opted to simultaneously release it to cinemas & HBO Max (at no additional charge, unlike Mulan on Disney+) on Christmas day. At least its release wasn’t as postponed as The New Mutants. I watched it a movie theater because I believe the safety precautions taken by the cinema & myself are sufficient to outweigh the risk. If you think otherwise, Gal Gadon’t go because you can watch it from the safety of your home. So is Wonder Woman 1984 doubleplusgood or thoughtcrime? The Lasso of Truth compels me to unspool its SPOILERS in this collaboreview with The Wages of Cinema, reunited for the first time since Plan 9 From Star Wars!
I’m disrupting your antiquated paradigm of paragraphs this week! It’s just going to be a string of loosely connected sentences about my pretty kitty & miscellaneous mousers that I couldn’t slip into earlier posts! (I specifically didn’t watch Dark Crystal: Age of Resistance or Carnival Row in preparation.) So it’s kind of like one of those articles collating reaction tweets except I didn’t get paid to generate my own.Continue reading
Somehow the original Tomb Raider movie managed to be terrible despite stone monkey guardians. I’m still angry they were dispatched so easily! (The Cradle Of Life was better.) While it could’ve used some stone monkeys, the new Tomb Raider movie is legitimutantly good! It’s just not as gonzo as Chronicles of The Ghostly Tribe. This is an opinion I have as a person only peripherally aware of Lara Croft’s legendary exploits. Below I unearth a review with … not much in the way of spoilers. How’d I manage that?
Following in the tradition of Angelina Jolie, another Oscar winning foreigner with a disguise accent was cast as the English protagonist. Sweden’s Alicia Vikander, Oscar winner for Ex Machina, as Lara Croft is worth the price of admission.