The trailer for Black Panther is awesome, even if his tweaked costume still isn’t gold-accented. Contrariwise, the more buzz I hear for Spider-Man: Homecoming, the less I’m excited for it. The final poster is not good. The Vulture’s personality & gear seems more suited to Beetle. (It seems likely Hannah John-Kamen will be the Janice Lincoln version in Ant-Man & the Wasp. Does that mean Tombstone will appear too?) Zendaya is playing an existing character under an alias as if the reveal of her true identity is supposed to be some dramatic surprise? There’s already too much Iron Man in his ugly Ultimates armor. The bastards broke seven LEGO Death Stars just for one gag.
Now Spider-Man’s suit greets him by announcing his secret identity. This is a huge design flaw that could’ve been easily avoided. The new moral is that Spidey must show great responsibility to prove himself worthy of the Stark’s high-tech clothing? (If Sony & Marvel could’ve shared Venom too, this would be a better opportunity to set up that spinoff movie. Tom “No one cared who I was until I put on the symbiote.” Hardy starring as Venom is exciting casting that would’ve been even better if TDKR’s Bane was on Venom, but apparently his solo movie won’t tie-in with the MCU Spidey’s adventures to the detriment of both studios.) I still don’t like either of his costumes that carried over from IMvCA: DoV. The one in the upcoming Playstation video game is more appealing for trying something new instead of being an inferior copy of the classic suit compared to Raimi’s trilogy & Amazing Spider-Man 2.
I have such Spidey fatigue that I don’t know if I even want to see it in cinema. I didn’t even watch the last two in theatres because they lacked J. Jonah Jameson, & this cashgrab is making the same mistake (unless that’s who Zendaya’s secret identity is). On the other paw, I’m sure a review will appeal to more readers than a Sisyphean blog trying to make my toils at writing a difficult second novel sound fascinating. (I just typed up the chapter where a vintage MechaGodzilla model is built! I kinda feel like I should quit while I’m ahead.) Can I run a very timely review of Spider-Man: Turn Off The Dark instead? Maybe I’ll watch it but buy another ticket to GOTG 2 or Wonder Woman at the box office. What say you?
This season of Gotham actually ended on a optimistic note? They made an exciting finale that didn’t rely upon toothlessly threatening to blow up the entire supporting cast? Many of its big threats were overshadowed by legitimutantly satisfying character developments? WHAT IS THIS DEVILTRY? I shall attempt to elucidate with SPOILERS.
If you’re like me & too poor to afford to watch Twin Peaks’ revival on Showtime, Riverdale may tide you over. At first I scoffed at this show because it’s six years too late for a gritty melodramatic adaptation of Archie Comics, the wholesome teenage love triangle sitcom that has inexplicably been in print for seventy-six years. To my surprise, the show that aired after Powerless is actually good! It should not work nearly as well as it does. Curse you for making so much quality television, CW! (If comic book adaptations aren’t your cup of tea, I suggest The 100 & Crazy Ex-Girlfriend.)
It’s probably a lot easier to enjoy this if you’re not a die-hard Archie fan (I’ve never met one in person, but I’m sure they exist) since it takes giant liberties with such characters as Chuck Clayton, Dilton Doiley, & Ethel Muggs. Jughead isn’t asexual, although the series was well into development when the latest comics reboot made that canon. It would’ve been easy to write Veronica Lodge in her Middle Earth cape as the rich bitch, but they’ve subverted that so well by making her repentantly compassionate. (The ensemble is so wonderful it’s hard to believe this is Camila Mendes’s first TV role.) Instead of fighting with Betty Cooper for Archie’s affections, they’re an awesome friend duo. Prototypical all-American girl next door (which could mean something very different depending on where you go in the US) Betty Cooper gets layers & family drama from having a mom named Alice Cooper who’s not the shock rocker. It’s spider brooch wearing Cheryl Blossom that gets to be the over the top mean girl, but it’s surprising she turned out as well-adjusted given her Gothic upbringing in Thornhill. Josie & the Pussycats give ridiculously awesome concerts, although they can’t top the superlative Josie & the Pussycats movie. Archie Andrews is ostensibly the star yet he remains its least interesting character. He’s also gauche enough to wear a varsity jacket to a wake.
Another rejected pitch was Roverdale starring Arfie Andrews, Sheltie Cooper, Furronica Lodge, Pughead Jones, Chien Keller, Dilton Doggy, Reggie Mastiff, & Feral Blossom.
It was very courteous of ABC to air the latest Agents of SHIELD finale a week before these. You know the drill by now: Full SPOILERS for Supergirl, The Flash, & (Green) Arrow from here on out! (Click here for Legends of Tomorrow finale review.)
Remember how excited I was about the CW Supergirl being an improvement over the CBS version when the season premiered? Those were the good old days, before Mon-El ruined everything. Well the finale almost reached those heights because it brought back Cat Grant! The show got better as soon as Calista Flockhart returned, regardless of how cringey half of her dialogue was. Cat instantly knowing Guardian is Jimmy was priceless. Sadly her CatCo pink panther got destroyed again.
Agents of SHIELD has been on fire this fourth season, which I shall SPOIL for you. One of its strengths has been splitting its narrative into discrete yet interlocking thirds to keep the momentum wound tight. I’ve complained that the show feels like the MCU’s redheaded stepchild, but ironically this season may be its strongest for having the least direct interconnectivity with Marvel’s movies. The series has built itself up enough that it can now stand on its own.
Remember when Captain America: The Winter Soldier excitingly set-up HYDRA as a major force of modern day villainy? Then how disappointing, albeit believable, it was that the Avengers flattened them out like tortillas under a steamroller in the prologue to Avengers: Age of Ultron? Then recall how HYDRA’s leftovers were somehow even more pathetic in the third season of Agents of SHIELD? Well the Framework’s VR simulation has HYDRA back to being a formidable foe. Not only is this a clever way to reintroduce HYDRA without rolling back the MCU’s stance that it’s been utterly destroyed for real this time, having them in charge feels eerily topical. The HYDRA propaganda posters are a nice touch. I love how the start this arc was named “What If…?” just like the comic series. This is the closest the MCU has come to doing an alternate reality since they’re not ready to dip their toes into an official multiverse like The Flash. It had plenty of callbacks to past seasons including a Bill Paxton tribute. Quit teasing us about Griffin!
Remember when I asked them not to make AIDA evil or seduce Fitz? Well the writers did both! Thankfully it’s executed much more deftly than I’d feared. Then this LMD 3-D prints herself a real human body to acquire free will & unsimulated sensations. She wisely gave herself all the inhuman powers because not only is she Madame HYDRA (unlike AIDA, it’s not actually an acronym), she’s also Super-Adaptoid! After being repressed all season, Mallory Jansen let out all the emotions like a fire hydrant! She honestly deserves an Emmy for doing the most acting!
AIDA as Ophelia as Madame Hydra may be the show’s first costumed supervillain. (That’s kind of sad, albeit less so than giving that honor to Deathlok.) Just like Dr. Strange’s training outfit, her shirt has weird elbow gaps before the cuffs. She even wears a cape in one scene like Veronica Lodge! While far superior to Polaris’s hair in the generic The Gifted, it’s too bad they didn’t dye her hair completely green like
Fire Green Fury on Powerless. (Please get Natalie Morales to reprise that role on a CW show!) Sadly the color grading makes her outfit look practically gray most of the time. Of course she’s also not really Viper as Madame Hydra, but she’s closer than The Wolverine’s version. Whatever her name is, she’s one of the most compelling foes in the MCU.
What I am about to tell you may shock delicate sensibilities: I find pizza to be overrated. What’s wore is that both vegetarians & omnivores have found common ground in not shutting up about how great pizza is. As someone that generally avoids the stuff, I found myself improbably intrigued by the commercials for Little Caesar’s smokehouse pizza. It reminded me of the barbacoa pizza I had at Telepizza. The problem was the nearest Little Caesar’s is over an
owl hour away.
Eventually, I did find an excuse to be in the neighborhood. Do all Little Caesar’s resemble fortified bank lobbies without tables on the inside? Due to the lack of seating & scenery, I had to drive to the nearest comic book shop & eat it in my car like some kind of criminal! (Do criminals often eat pizza in cars? I only ask because what I don’t know about crime could fit in a phone book. Meanwhile what I don’t know about cars could fit in two.) It was delicious! The three barbecued meats (brisket, bacon, & pulled pork) were savory & high quality for the price. I was forced to eat the entire thing by myself! I didn’t know Big Moe Cason was a person before, but now I have reason to implicitly trust him.
A few weeks later, I had another opportunity to pass by a Little Caesar’s. They told me they don’t make the smokehouse pizza anymore. WHAT? Not only did the commercial fail to mention this concoction was a limited time offer, it wasn’t even available for a full two months? This comes on the heels of Blimpie’s & Wendy’s not reviving their explicitly limited offer BBQ pork items. Why is it so difficult for fast food restaurants to keep pulled pork on the menu? There aren’t any chains that specialize in it, so you’d think one of these trial runs would be a grand slam.
Of course the most agonizing of limited edition edibles remains the McDonald’s shamrock shake. This year was even worse because they added an array of mint-chocolate drinks with it & didn’t haven enough STRAWs to go around. (Will they have enough Frorks for Cinco de Mayo?) McDonald’s knows there’s an insane demand for these, so why only make them available around St. Patrick’s Day? They’ve got over forty years worth of market research to show it’s popular enough to keep around. Why does McDonald’s only want my patronage in the spring? I WANT TO DRINK MINTY THINGS ALL YEAR!
Step one: Create demand for your exclusive product. Step two: Abruptly cut off this popular product’s supply. Step three: Profit?
Our long international nightmare is finally over! As the prophecy foretold by last week’s entry brought to you by the letter T, DC shows (well, not Legends of Tomorrow) have returned! Dare ye brave assorted
Stephanie Browns SPOILERS below?
Had he named himself the Griddler, DC could’ve made a mint on licensed waffle irons!