I couldn’t afford to watch Star Trek Discovery. (I’ve never seen so many people eager to catch STD!) So against my better judgment, I watched both of the new TV series about Marvel Comics’ genetic superhumans, Inhumans & The Gifted. So strap in for an extra long spoilerific double review!
The best part of discount Thor featuring lunar muties was that my cat tried to ensnuggle me for 3/4 of it. Brought to you by the man who gifted the world with lumberjack Dexter & dragon-free Iron Fist, Inhumans shows glimpses of cool stuff only to yank them away. I may have some controversial views on the state of Lucasfilm, but I think we can all agree that Marvel Studios letting Scott Buck helm two series was a mistake. Did it lose a contractual bet with Sony or Fox to make Inhumans’ cinematic demotion as underwhelming as possible? It’s a pity this is set when when the Agents of SHIELD are indisposed because it could desperately use some charismatic protagonists (not to mention their writers). None of the visuals justified IMAX cameras. ABC can’t make this miniseries look as good as even one of The CW’s four DC series. It takes itself way too seriously without the necessary prerequisite of actuality being quality.
If you’re reading this, congratulations on surviving the total Eclipso of the heart! The big news that dropped just as I was reviewing The Defenders is that WB will be making stand alone Elseworlds movies separate from the DCEU (this is still a yucky name). These could be really interesting palate cleansers for folks that are bored with the current film continuity & tradtional superhero movies in general. The first one up is … a gritty The Joker origin movie set in 1980’s Gotham City? So this will still have nothing to do with anything fans like about the Joker? So far it’s just produced by Martin Scorsese not directed by him, so don’t get your hopes up.
Thanks for choosing my blog to absorb your armchair SDCC 2017 coverage from! SDCC remains the statistically safest place to avoid comic book news. As someone who has been to San Diego Comic Con ONCE, you can count on me! After all, my SDCC prediction from last week came true! Lots of stuff happened, so I will do my best to ignore that thing you actually wanted to read about! Click on down because we’ve got the bait!
If you’re like me & too poor to afford to watch Twin Peaks’ revival on Showtime, Riverdale may tide you over. At first I scoffed at this show because it’s six years too late for a gritty melodramatic adaptation of Archie Comics, the wholesome teenage love triangle sitcom that has inexplicably been in print for seventy-six years. To my surprise, the show that aired after Powerless is actually good! It should not work nearly as well as it does. Curse you for making so much quality television, CW! (If comic book adaptations aren’t your cup of tea, I suggest The 100 & Crazy Ex-Girlfriend.)
It’s probably a lot easier to enjoy this if you’re not a die-hard Archie fan (I’ve never met one in person, but I’m sure they exist) since it takes giant liberties with such characters as Chuck Clayton, Dilton Doiley, & Ethel Muggs. Jughead isn’t asexual, although the series was well into development when the latest comics reboot made that canon. It would’ve been easy to write Veronica Lodge in her Middle Earth cape as the rich bitch, but they’ve subverted that so well by making her repentantly compassionate. (The ensemble is so wonderful it’s hard to believe this is Camila Mendes’s first TV role.) Instead of fighting with Betty Cooper for Archie’s affections, they’re an awesome friend duo. Prototypical all-American girl next door (which could mean something very different depending on where you go in the US) Betty Cooper gets layers & family drama from having a mom named Alice Cooper who’s not the shock rocker. It’s spider brooch wearing Cheryl Blossom that gets to be the over the top mean girl, but it’s surprising she turned out as well-adjusted given her Gothic upbringing in Thornhill. Josie & the Pussycats give ridiculously awesome concerts, although they can’t top the superlative Josie & the Pussycats movie. Archie Andrews is ostensibly the star yet he remains its least interesting character. He’s also gauche enough to wear a varsity jacket to a wake.
Another rejected pitch was Roverdale starring Arfie Andrews, Sheltie Cooper, Furronica Lodge, Pughead Jones, Chien Keller, Dilton Doggy, Reggie Mastiff, & Feral Blossom.
My review of Legion season one SPOILS all the
things vague object signifiers because I’m the magic man! Here’s the story of a fuzzy little bunny who got too close to the ocean!
X-Men: Apocalypse gave Andrew Birchenough such extreme PTSD that Jack Gattanella was forced to install me as his Brand-X substitute for The Wages of Cinema’s Logan review! Is Logan the best there is at what he does, or is what Logan does not very nice? Going by Wolverine’s catchphrase, these options might not be mutually exclusive.
SPOILERS below, bub! SNIKT! SNIKT!
Fifteen years later, the Resident Evil film series is finally ending with Resident Evil: The Final Chapter! I’m unduly excited by this momentous event! If you’d prefer to experience it completely unspoiled, scroll past to get to my third in a series of pre-Toy Fair wish lists. Yep, two things that nobody else has been eager for in one big package!
I unilaterally admitted the first Resident Evil to the ranks of the Good Video Game Films along with the original Mortal Kombat & Silent Hill. Rather than attempting a direct adaptation of Capcom’s BioHazard games, it was intended to be a side story running parallel with a unique protagonist, Alice. As sequels progressed, however, more key characters from the game franchise were imported over even though she was an amalgam of their traits. Smushed between Alice & several less memorable new redshirts, the canon ones didn’t have much room to develop. (Claire Redfield & Albert Wesker are the only canon characters in this as Wesker conveniently killed the rest off-screen in ravaged Washington, D.C.) For hardcore fans of the games, watching these movies must be like watching X-Men films are for me.
A key reason why Milla Jovovich’s career revolves around her playing an action heroine is that she’s damn good at it! (I still think she would be more credible as Black Widow than ScarJo.) Unlike Underworld’s stoic Selene, her Alice is allowed a broader range of emotions & vulnerabilities. Her former superpowers have been diminished to standard action movie protagonist levels, but it’s still utterly believable she can wreck anyone. In the the annoying instances when she does have trouble in a fight, I wasn’t sure if the movie didn’t make her foes seem formidable or whether she was just fatigued by all the previous ass-kickings she (& her stunt doubles) handed out. My favorite scene is when Alice (bearing a striking resemblance to Metal Gear Solid’s Meryl Silverberg) gets strung upside-down & still defeats a squad of Umbrella Corp goons.
Originally slated for 2016, Sony delayed its release until after Inauguration Day.